Saving the Next Generation
Wherein comes the urge to chastise
Children chasing chaffinches, ducks;
Picking wildflowers for bunches just
To steep in water and later pour it out?
These innocent actions seem almost
Painful for some of us to see, since
It seems every seedling, even insect, is
Particularly precious in this sinking era.
Now we need to encourage kids to
Lie down on a lawn, plucking daisies
As they please, ripping leaves and
Flicking petals to the breeze, immersed
In the verdure that surrounds us. Thus
They will in turn appreciate the wonder
Of these tiny treasures of orchids, clover,
Cornflowers as especially as do we mourners.
I’ve been offline to a certain extent so far this summer. But I’ve been outside a lot, enjoying the nature left to us, as you can see from these photos ( I don’t publish anyone’s face in this blog), and with my kids in Ireland.
But I have republished Peter and the Little People, and it’s out in paperback!
It’s for the Kids!
Of course, anyone of any age can enjoy it, so go ahead and pick up a copy. It’s perfect for reading aloud, too.
Like everything we do, it’s for the kids who will have to visit places much changed and degraded unless we stop what we’re doing.
I don’t let my kids pick some wildflowers, like orchids, but then the local roads authority or the farmers come along and strim or spray the ditches and hedgerows…
The news this summer is of course pretty depressing, with the IPCC pretty much saying we’re in big trouble unless our so-called leaders act like we need them to…
So have a read of Peter and the Little People, and then help your children write some letters to the Taoiseacht or whoever supposedly leads your government telling them they’ll have a place in history – good or bad is up to them.
Peter and the Little People republished!
And a poem that the Little People would understand from a longer term perspective than humans seem able to take…
I hope summer is going well for everyone and the new (for us fifth) wave of infections is not affecting you.
I have some news: I have republished my children’s novel, Peter and the Little People, since the original publishers have sadly closed recently. I took the opportunity to re-edit it, so it reads a lot smoother, especially in the first chapters.
It’s available on pre-order now, and will download automatically onto your kindles etc. on the publication date which will be August 15th!
AND it is available in Paperback! So you can pre-order it now and it will pop in the post for you, too.
Till then, here’s a poem that was inspired by a different book written and set in Ireland.
Children of the Rainbow is a book from decades ago, but it’s well worth reading if you have any connection with the Island.
At the same time, I was reading Barry Lopez’s Horizon, which was quite impactful, too.
So the poem that came out is not quite as hopeful as Peter and the Little People regarding our planet. But I hope it’s still beautiful.
For there is yet beauty all around us if only we appreciate it and preserve it.
The Fading of the Rainbow
Our grandparents grew up under the bow of wonder
Shades of beauty forty-fold and more, so vivid
The colours were within reach, like the hand of God,
Life bursting out of every bud and bloom, butterflies
And bees humming just one tune in Nature’s symphony
But today, we stare across a broad sweep of fields, all
Furrowed into one with faint lines left where once
Grew hedgerows; rooks caws accompany cows now,
Gone the curlew call and corncrake, cuckoo only
Heard on distant hills: a sound of childhood, half
Remembered. The skylark leaves a faint line upon
The heart where before flew nightingales and chorus
Of dawn songbirds, silenced like the wolf and other
Wild animals swept away before the sheep browsing.
Now even that centrepiece of pristineness, poster
Child of evolution in isolation and archipelagos lies
Lessened, the frenzy of breeding becoming bare as
Feral goats graze the spare seedlings, dogs attack
Basking iguanas, cats and rats run riot, into ruin
One of the last remaining untouched outposts upon
The vast planet, pinched a little smaller each season,
Swept into sameness, as only colonisers cling to barren
Land. If these distant places are as doomed as our city
Streets, what place has hope this side of the rainbow;
Faded, bleached, and ragged, can it even hold any
Hidden at the end, like a crock of leprechaun gold?
Well, it didn’t take the New Zealand Scientists very long to reveal their findings after all.
But then again, it wasn’t very exciting, or inspiring, so why hold back?
Their DNA sampling of the water of the lake showed no sign of genetic material from a Jurassic era reptile, or a shark, or a sturgeon – the latter being my guess…
But there were lots of eel DNA, so they reckon the mysterious creature might be a giant eel…
Not very impressive deduction, in my opinion. Of course there was lots of eel DNA, just like there was lots of trout DNA if they were looking for it. Eels are common fish in such catchments. But do they grow to the size where people might see one from a great distance?
I’ve no idea how long a freshwater eel can actually grow, but this story shows a near-record size, caught in Australia, and it’s less than two metres long. So the adjective giant is hard to be precise about….
So, if there is one or two really huge eels in there, they might leave their DNA, but so would all the small normal sized eels we expect to find there with or without any giants or monsters….
The findings haven’t really found anything, other than they’ve not found anything. You can’t prove a negative, as they say.
It does add one more plank to the argument that there is nothing big enough, at least not a population numerous enough, to produce the quantities of DNA that makes it simple to find in the mass of water that is Loch Ness…
Still waters run deep, as they say, and Loch Ness is one very deep lake.
it’s amazing to say that in 2019, there are still questions to be asked about the Loch Ness Monster
But there are.
Scientists are still seeking to uncover exactly what gave rise to the story, what was and is being sighted from the shore and from boats out on that lake that made people report a large animal – be it a reptile, mammal or fish?
Now it seems that they have discovered evidence to support at least one of the hypotheses of what exactly this phenomenon is – using DNA samples, to see what kind of species might be swimming around, shedding skin cells or scales into the water which might float around and be picked up by their collectors.
My guess, is that they’ll keep the news back for a long time.
If they do produce one, my guess is that it will be a sturgeon, or a small group of sturgeons, that have swum up from Moray Firth at Inverness. Though the lake has few nutrients with which to sustain a large population, it might keep one or two alive for a few years.
What’s your guess?
Could there be a large creature hiding out all these centuries, only to be betrayed by its own DNA trail?
Can scientists really hope to catch a few skin cells in all that expanse of water?
So, I know it’s been a while, but things have been as hectic as a 2-year-old in a new playground. Literally.
My final chapter of the Silver Nights Trilogy is out now, and so I thought it a good time to recap what I learned in the process of writing it.
1) Things take longer than you think…
Especially when you think you can squeeze side projects in there between…
I always knew I’d finish my trilogy (I advocate the finish your shit mantra) but I thought I’d have it done a couple of years ago – around six months after the first novel came out and I realised just before publication that it was going to be a trilogy. The nuclei of the second two parts came to me very clear and I reckoned that I’d have them both done by Christmas – I had a part time job and summer in between, after all.
But then I got the idea for a novel about Loch Ness, and that just grabbed my attention like a talon clutching my balls, insisting I go along with it. So I thought it best to comply. The first draft spun out easily, but then there were drafts to go over before I submitted, and another project popped up. This was going to be easy – my publisher put out a call for erotic romance novellas set in one night in any city, for a series called City Nights. Well, I had a long short story set in Madrid that could be refitted in a jiffy. Or not. The challenge of writing erotica wasn’t half as hard (fnarr!) as shaping it into a longer story that was still under 25k words. Anyway, despite it taking me several rewrites I got the bug and did 2 more cities since, Pamplona and Boston (for these the story was simple, starting from scratch always is simpler) published under the name JD Martins – yes, I am a school teacher. Then there were edits for a YA paranormal and a children’s fantasy novel to go over for publication (yes, I’d a drawerful of old novels that I finally found willing publishers for). And of course, real life did it’s usual trick of getting in the way. Our daughter was diagnosed diabetic at two and a half, so I spent a lot of time cycling across town to inject her at lunchtime, we had another sprog six? months ago… all that great stuff. But the sequels kept simmering away in the meantime, slowly taking shape… of course, people kept asking when they’d be ready and I kept telling them a date not too distant in the future – three months or so, by this Christmas, as soon as submissions reopen, I’m sending both books straight away…
2) Think before you decide to write a trilogy.
At least, think before you tell everyone, and have the second and third pretty much ready to go before you tell everyone. Sure, the idea for the second and third novel might come to you real quick and seem pretty safe and secure, but they need to tie together like a trilogy, and, more importantly, people are going to be waiting on them – some won’t even read the first part till they know the second and third are written and out there for them to read straight after – hands up who’s waiting on Game of Thrones to finish it’s run before even starting? Only me? Oh… anyhow, though the ideas might seem pretty solid, they have to lead directly from the first to the second and into the third and though there might be three books, hence trilogy, a series can have three books, too – you just don’t write the fourth book, and nobody’s going to feel cheated. Are you? It’s not that the second and third novel aren’t solid, but the challenges facing the characters can’t be the same, and things that happen in the sequels need to have a coherency with the first, so perhaps write them all at the same time, rather than have one done and decide to add two more
But definitely write part two and three together. It might piss off those waiting impatiently for the second to come out, but it’s better in the end. Also helps keep all those characters in your head at the same time – werewolves have big families, dammit, especially when they’re trying to build up their numbers after centuries of persecution.
3) Stick to your original vision
I wrote the first novel in this trilogy, Leaving the Pack, twenty-five years ago. The time in between turned out to be very useful. I was inspired by Whitley Strieber’s novel Wulfen, and to honest, I never really read much about them since then. I liked my werewolves (almost as much as Strieber’s) and I didn’t much like the movies I occasionally saw or the few books I read. Having a book out before you write the next leads to the temptation to take reader’s opinions into account as write. But making everyone happy isn’t a possibility and if the reader didn’t like the first book, it’s pointless to try please them in the second, or the third. Besides, when I looked around at some of the other werewolf novels out there, I realised their tastes were more aligned with the books I wanted my story to stand out from – the real tribe who engendered the original myth.
4) Don’t bother reading in-genre – it’s probably not your genre, and there’s some weird shit out there.
I did read a few other books over the years, but reading other werewolf novels was a bad idea. They filled my head with stuff that I didn’t like, making me second-guess the world I’d created – a real world where shifting is just as physically impossible as it is in ours.
In tandem with their physiological lunar rhythms, these people worshipped the wolf, had an affinity with their four-legged brethren that had led their enemies to assume they turned into beasts.
As a zoologist, I knew that wolf mating is similar to dogs, where they are unable to separate afterwards for a while. I went to double-check the term (knotting) in the final edit and discovered a sub genre of werewolf novels that was eye opening, let’s say.
5) The real world has changed, and so must your characters.
Even though my werewolves are first found roaming the city during the late Eighties, when homosexuality wasn’t nearly so visible in our cities, and I have no interest in writing gay sex scenes – and I doubt I could make them hot enough for the readers of werewolf knotting – I totally agree that we need more diversity characters in our novels. The werewolves are an ancient tribe, and the poster boys for patriarchy, but even they have to evolve to deal with the way things are nowadays, including equality for their daughters. But such changes are a joy to write, to put your characters in awkward situations. One thing that has not changed for the pack, however, is they still hate vampires, and real vampires are not so nice as they’re made out to be.
You can get all three books here….
So, after much quiet, the howl returns…
As I said in a post longer ago than I thought it was, I’ve been living in the real world these last many months.
But I’d done a year or more inside my imaginary city, the setting for the Silver Nights Trilogy.
I’m ready to publish the second and third instalments now.
Leading the Pack is out on Pre-order as of today!
you can get it for just 99c until publication on March 15th from Amazon….
and Unleashing the Pack will be edited soon and the cover is nearly done…
It was a pleasure to return to the characters, but working on the two novels in tandem was a struggle while I was immersed in them, and I hope I’ve done justice to my original vision of the werewolf story.
The question I feel I have to answer, before anyone even reads part two, is, “why go back?”
Because I didn’t need to.
The first book, Leaving the Pack, didn’t have an open ending. It was a stand-alone novel.
But I couldn’t leave it alone.
I had to go back and expand on the idea.
So I hope I’ve done the right thing. I hope I’ve not made a mess of the story.
One thing I hate is when writers and moviemakers go back just for the sake of it.
One of my favourite movies is Highlander, and I’ve seen it many times. I hate the sequels. I hate the series. Stupid films that made a mess of a great original story.
I’m watching Lonesome Dove, after having read the book, and now I have discovered there are sequels and prequels, but I’m wary about even going there, given some comments I’ve read.
Why mess with such perfect stories? Why corrupt the vision?
If you go back, you have to have a reason, a need, something else to say.
In my case, I wanted to explain the werewolves from different angles. Firstly, from the viewpoint of a new generation. Paul’s pack, in Leaving the Pack, is a disciplined machine. Paul has complete control (mostly) of his power. But is such camaraderie innate in a race so apt to violence? What is it like to feel such potency for the first time. I wanted to explore the line between being the alpha and what I called the leash – does power necessarily come with responsibility or vice versa?
Secondly, how do werewolves adapt to a new millennium? The twenty-first century is a world that such an ancient tribe as my werewolves would have trouble confronting, in terms of our more open, permissive and public society. How can you remain hidden in plain sight with so many cameras watching? The world is changing rapidly for us; imagine for a race who live so much longer. And at the same time, if they can embrace the future, then so can any other culture.
In Pamplona at the moment, we are celebrating the 90th anniversary of the publication of Hemingway’s novel, The Sun Also Rises (a.k.a. Fiesta).
There are several activities organised, and a large exhibition in the Plaza del Castillo of photos from when he visited Pamplona – of him, and taken by him and his friends.
Some of the places he stayed are still here, under different names to those used in the novel, some have changed.
It was interesting to see that Heminway, though he never ran with the bulls himself, did get gored by a baby cow, which they release in the plaza after the encierro.
I was struck by a quote they have printed on one of the posters, which he wrote to a friend: “Pamplona is the most enjoyable place you’ve ever seen.” It was true then and it’s true now.
And my good friend JD Martins would agree.
Have you had One Night in Pamplona?
As I get back into the swing of things after summer, first thing I have to do is congratulate David Devins of Co. Leitrim and Damian O’Sullivan of Co. Cork, who both won copies of my children’s novel, Peter and the Little People in the summer IWT Irish Wildlife Magazine’s book competition.
As you might know, I have pledged to give 10% of my royalties on Peter and the Little People to this NGO (if you’ve read the book you’ll know why) to help the great work they do.
At the moment a new battle has emerged for them, and us all, to tackle – the possible introduction of more destructive insecticides in Ireland, which threaten bees and other useful and important insects.
It seems that the fight to protect bees, like the fight to stop much environmental destruction will be continual, as companies try to introduce more chemicals.
It’s similar to George Monbiot’s post this week, that though the TTIP agreement seems to have been abandoned in the face of so much negative public opinion against it’s implementation, there are other similar treaties in the works, all designed to take power to legislate international companies from government – and thus public – hands. At the end he suggests we can never let our guard down, for the corporations and their cronies are always working against us and our environment, and they only need to succeed once, while we have to beat them every time.
Similarly, the bees and other insects only have to be erased from the planet once, and we have to save them every year, every week, every day.
Do your bit – join the IWT or whatever similar organisation operates in your country. And be vocal, even through the internet. It’s not quite the direct action that seems necessary to protect the Dakota water supply, but it’s effective when there are enough of us.
Click the link and leave a comment!
As September gears up, I’m also back to the city after summer in the countryside, and back to my desk. Will have some news to reveal next week, too!
As you know, 10% of my royalties from Peter and the Little People, my children’s novel about wildlife and leprechauns, will be donated to the IWT, the Irish Wildlife Trust – in addition to the 10% going to WWF.
For anyone who’s a member of the Irish Wildlife Trust, have a look in the summer edition of their Irish Wildlife Magazine and you’ll see that there are two copies of the novel up for grabs on their competition page!
Check it out – the answer is dead easy!