Universal Connections

 

 

Universal Connections

 

I sit upon a hotel terrace,

Gazing out at grebes

Diving between white and yellow

Water lilies, trying to grasp our universe.

 

This Dark Matter they say

Gives gravity to our galaxy

Must mingle with us here on Earth,

Else why do I feel such linking

With other species, the lake life teeming?

 

I am entwined with these trees

More than merely exchanging molecules.

 

Reincarnation is reality. A part of me

Exists outside myself, with which I can commune;

 

Fragments of my former lives abound in this pond,

Fine portions of prior bodies populate the forest.

There’s a strand of me in that serene swan

Stately sliding, signets drawn behind like magnets.

These geese gliding in on the twilight and I

Share atoms. The stones under our feet,

Still throb with the vitality of ancient seas;

Our electrons once spun in the same shells

And yet retain the memory of those orbits.

 

Since the energy of starbursts vibrates on in ourselves,

These connections are impossible to erase,

We are one: our earth, the stars and empty reaches,

Really only fractals of an elementary existence.

 

 

I wrote that a couple of months ago while staying in this hotel, having breakfast on this terrace. Just to show there are positive poems going round my head too!

It was in the Netherlands, and the lake was man-made, created when dredging to make higher land elsewhere in town. The motorway went past behind those trees, but it was still wonderfully quiet and peaceful, and the waterfowl didn’t care how their home was made. It shows that nature can come back strong when given a chance, even in the midst of our habitations.

Here’s another in the same vein, one of a few I was inspired to write that week…

As you can see from the photo at the bottom, it’s hard not to be inspired in that light.

 

Twinned with an Egret

 

They say every electron has a twin;

In space and time, while even atoms

Exist in two separate places at once.

Well, that would explain this affinity

For egrets and owls and willow trees.

Motes might not have the energy to

Escape gravity, but bits of bodies split:

My twins vibrate in other entities.

 

 

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The Drought Breaks

 

The Rains Return

 

The sky weeps;

Bent low,

Hills soak to refill rills.

Upon the porch, we sit still.

 

The rain – snow in the high ground – has finally returned to much of Spain, bringing some relief to the drought we’ve been experiencing this year.

The spring that supplies our village in the Valdorba is still flowing at a trickle, though. It will take much more rain to raise the water table and refill the reservoirs.

the spring last week above, the same spring in September below…

 

 

 

 

 

 

 

But everyone has been happy to see the rain, despite the need for umbrellas instead of sunglasses.

This is a photo of one of the beaches in San Sebastian, aka Donostia, taken when I was there last week.

I sat on the beach and wrote this poem.

 

Donostia, December 2017

 

On the breakwater, as tide rises,

Shielding eyes to see gleaming mountain

Snowmelt trickle by.

 

 

We shouldn’t be able to see the mountain from the beach at this time of year, for the blanket of cloud that normally shrouds the city.

But what is normal anymore?

 

Anyway, I wrote a few poems that afternoon. It reminded me of another poem I wrote a few weeks ago, which describes a little of why I’ve written so little recently, and posted less.

But maybe we’ll get back to normal sometime soon…

 

Words Come Forth

 

They say our words won’t be kept down;

They bubble up, under pressure, like lava

Pushing through a fissure,

Bursting forth if they can’t flow.

 

But instead, they are drawn

Under empty sky,

Sucked out by silence,

Pulled forth by the vacuum

Of open space,

Giving them a place to emerge

Timidly into tranquilly

Like deer from the thicket at twilight.

 

 

Five things I learned writing the Silver Nights Trilogy

So, I know it’s been a while, but things have been as hectic as a 2-year-old in a new playground. Literally.

My final chapter of the Silver Nights Trilogy is out now, and so I thought it a good time to recap what I learned in the process of writing it.

 

1) Things take longer than you think…

Especially when you think you can squeeze side projects in there between…

I always knew I’d finish my trilogy (I advocate the finish your shit mantra) but I thought I’d have it done a couple of years ago – around six months after the first novel came out and I realised just before publication that it was going to be a trilogy. The nuclei of the second two parts came to me very clear and I reckoned that I’d have them both done by Christmas – I had a part time job and summer in between, after all.

But then I got the idea for a novel about Loch Ness, and that just grabbed my attention like a talon clutching my balls, insisting I go along with it. So I thought it best to comply. The first draft spun out easily, but then there were drafts to go over before I submitted, and another project popped up. This was going to be easy – my publisher put out a call for erotic romance novellas set in one night in any city, for a series called City Nights. Well, I had a long short story set in Madrid that could be refitted in a jiffy. Or not. The challenge of writing erotica wasn’t half as hard (fnarr!) as shaping it into a longer story that was still under 25k words. Anyway, despite it taking me several rewrites I got the bug and did 2 more cities since, Pamplona and Boston (for these the story was simple, starting from scratch always is simpler) published under the name JD Martins – yes, I am a school teacher. Then there were edits for a YA paranormal and a children’s fantasy novel to go over for publication (yes, I’d a drawerful of old novels that I finally found willing publishers for). And of course, real life did it’s usual trick of getting in the way. Our daughter was diagnosed diabetic at two and a half, so I spent a lot of time cycling across town to inject her at lunchtime, we had another sprog six? months ago… all that great stuff. But the sequels kept simmering away in the meantime, slowly taking shape… of course, people kept asking when they’d be ready and I kept telling them a date not too distant in the future – three months or so, by this Christmas, as soon as submissions reopen, I’m sending both books straight away…

 

2) Think before you decide to write a trilogy.

At least, think before you tell everyone, and have the second and third pretty much ready to go before you tell everyone. Sure, the idea for the second and third novel might come to you real quick and seem pretty safe and secure, but they need to tie together like a trilogy, and, more importantly, people are going to be waiting on them – some won’t even read the first part till they know the second and third are written and out there for them to read straight after – hands up who’s waiting on Game of Thrones to finish it’s run before even starting? Only me? Oh… anyhow, though the ideas might seem pretty solid, they have to lead directly from the first to the second and into the third and though there might be three books, hence trilogy, a series can have three books, too – you just don’t write the fourth book, and nobody’s going to feel cheated. Are you? It’s not that the second and third novel aren’t solid, but the challenges facing the characters can’t be the same, and things that happen in the sequels need to have a coherency with the first, so perhaps write them all at the same time, rather than have one done and decide to add two more

But definitely write part two and three together. It might piss off those waiting impatiently for the second to come out, but it’s better in the end. Also helps keep all those characters in your head at the same time – werewolves have big families, dammit, especially when they’re trying to build up their numbers after centuries of persecution.

 

3) Stick to your original vision

I wrote the first novel in this trilogy, Leaving the Pack, twenty-five years ago. The time in between turned out to be very useful. I was inspired by Whitley Strieber’s novel Wulfen, and to honest, I never really read much about them since then. I liked my werewolves (almost as much as Strieber’s) and I didn’t much like the movies I occasionally saw or the few books I read. Having a book out before you write the next leads to the temptation to take reader’s opinions into account as write. But making everyone happy isn’t a possibility and if the reader didn’t like the first book, it’s pointless to try please them in the second, or the third. Besides, when I looked around at some of the other werewolf novels out there, I realised their tastes were more aligned with the books I wanted my story to stand out from – the real tribe who engendered the original myth.

 

4) Don’t bother reading in-genre – it’s probably not your genre, and there’s some weird shit out there.

I did read a few other books over the years, but reading other werewolf novels was a bad idea. They filled my head with stuff that I didn’t like, making me second-guess the world I’d created – a real world where shifting is just as physically impossible as it is in ours.

In tandem with their physiological lunar rhythms, these people worshipped the wolf, had an affinity with their four-legged brethren that had led their enemies to assume they turned into beasts.

As a zoologist, I knew that wolf mating is similar to dogs, where they are unable to separate afterwards for a while. I went to double-check the term (knotting) in the final edit and discovered a sub genre of werewolf novels that was eye opening, let’s say.

 

5) The real world has changed, and so must your characters.

Even though my werewolves are first found roaming the city during the late Eighties, when homosexuality wasn’t nearly so visible in our cities, and I have no interest in writing gay sex scenes – and I doubt I could make them hot enough for the readers of werewolf knotting – I totally agree that we need more diversity characters in our novels. The werewolves are an ancient tribe, and the poster boys for patriarchy, but even they have to evolve to deal with the way things are nowadays, including equality for their daughters. But such changes are a joy to write, to put your characters in awkward situations. One thing that has not changed for the pack, however, is they still hate vampires, and real vampires are not so nice as they’re made out to be.

You can get all three books here….

 

 

Peace on Earth

Peace on Earth; at least This Part.

 

Sun rises over the mountains Christmas morn,

Shreds lingering mist strings off the oak slopes.

Starlings sing across vale from barn and shed,

Sparrows flit back and forth on tree and hedge.

Windmills steady, cows still not lowing, nor

Dinging. Dew dries, roof drips, while kite

Shifts on bough, readying to take to clear skies.

Robin skips in goodwill, trilling to a lone soul

Soaking silence embracing peace on Earth;

This piece, yet in the absence of men.

 

 

Wrote this on Christmas morning, sitting in that sun – it’s a remarkably relaxed time in Amatriain, where mass was the day before, and, dinner was very late, and  lunch has usually been taken care of already (and doesn’t consist of turkey).

Hope everyone has had a nice holiday season and that we will have some peace in 2017.

I’m about to start edits of Silver Nights Part 2, Leading the Pack…. almost as excited as a kid at Christmas!

Author interview by Fiona McVie

Fiona McVie inverviews authors on her website. She does perhaps the most comprehensive interview out there. It was great fun to do. Have a look at my answers at this link.