Blog Archives
Missing things before they’re gone
The Lilacs Have Already Faded
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We wait as children for Christmas,
The bursting forth of buds, spread of
Poppies along bearding barley fields;
Delighting in drifting aspen down.
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But if we perchance glance away
During spring’s apotheosis we find
The lilacs have already faded, and
Summer swiftly advances unto autumn.
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Just as a blink allows the bastards
Take flame and machine to the trees,
Scraping drains in absence of rain,
Leaving shoots shorn dead as winter.
I wrote this last week when I was in my garden, seeing that the patch I didn’t mow the week before now sported a lovely little orchid.

But the lilac I had planted just beyond had lost its one flowerhead, having faded to brown already in the space from one weekend to the next.
And I thought of how quickly the spring passes, as usually, even when we vow not to miss it. It’s too short, even when its only summer on its way, we all know where summer leads….
Then I saw while on a cycle what the local roads authority had done, in May, to the hedges and scrub alongside the roads around the village – gone along with who knows what machinery and razed everything down to the ground. Of course, if they discovered plastic rubbish under that bush, they left that there.

What kind of mindset allows this to happen? Where are the leaders?

The locals just shrugged it off. It seems they think all this can be infinitely replaced, not that it’s a last bastion of such beauty.

Is it not possible to see that we are losing things before they’re lost, or are we doomed to miss only what we have completely exterminated?

The village in the north of Spain is not the only place where such destruction takes place, of course. Just last week a huge swath of Killarney National Park was burned by negligence or intentional malice.
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On the other hand, I just finished reading Anne Frank’s diary for the second time, after about a 35 year gap… and I was struck by her passages about Nature.
Just like many during the lockdowns we went through, Anne realised that joy and peace can come from looking at the sky and the trees. Of course, even at thirteen and fourteen, Anne Frank was a very self-aware person compared to most around her, even then, never mind now.
I took snaps of the paragraphs. She wonders if her confinement indoors so long has made her so “mad about Nature” which is probably true to some extent, just as it was for many others. But she sees it as a medicine, “which can be shared by rich and poor alike,” and “the one thing for which there is no substitute.”



My question is whether that last line has sunk into our collective consciousness, or it is just that we can’t fathom our existence without Nature – even it if is out there, waiting for when we want it, after we’re released from prison, or our confinement, or we fancy a walk away from our computers? Until it isn’t.
And can we act as if something is lost before it actually is, giving us the chance to save it at the last minute.
Because we’re down to the last minute.
Landscape Poems
In the Mist
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Calling cranes cross overhead like ghosts in the gloom,
Bells echo down the hillsides from hidden forest horses
Like shots across the valley, voices and dog barks below
Reveal others on the path as invisible to us as we to them
Knowing surrounds only by memory and sounds in the
Silence, the mist expands our senses out like landscape,
Until the sun lifts the veil and sends down into our pocket
Of the earth, a gentle caress of golden warmth and sets
The sky blue brightness shining off mountain cloud
Shimmering across imagined land beneath silver shroud.

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The Same Scene a Thousand Times
A painter can select one scene,
One view, from a certain lookout,
Turn it into their subject: treat
It a thousand ways, in varying lights.
But can a poet? Write a thousand times
Of one mountain range and valley?
Of all the many shadows and scudding
Clouds along its sides, and all
Aspects of the mists across its sky.
A painter can settle in one spot,
A cottage on a cliff:
Paint through the window.
A poet may install himself
In the same place,
But can he use words more than once
To illustrate the landscape?
Or once used, need he seek new views
To inspire new vocabularies?
It seems the answer lies in the
Lines, led along by eyes, looking
In ever-finer focus always finds
The mind inspired to write.

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I have no photos of the scenes that inspired the first poem, but the second poem was inspired by sunset in the same spot I watch sunset most Sunday evenings, and each time it’s inspiring, but can I write of the same valley for the rest of my life? Possibly. It depends less on the inspiration and more on my ability I suppose!
Cloud Impressions
Thoughts on Clouds.
There are many useful words
To describe pre-precipitation atmospheric condensation
Or as we call them, clouds.
Precise nomenclature of
Scientific phenomena,
Predicting what weather to expect:
Stratoculnimbus, cumulocolumbus, cirronimbulus,
No matter what construction,
None suffice
To describe
A scene
Of scudding shades of purple and blue and white,
Whorls and wisps and fluffy tufts,
Grey layering over the landscape like heavy cream,
High, hazy hovering, herringbone brush strokes:
Thus do poetic panderings, pattering,
Find themselves equally insufficient.
Nor would a photo, nor even painting
Do any justice .
Nothing works as well as our unspoken
Constructions, sometimes,
So we simply suffice with stopping,
To stand, and stare, and smile.