So for the last couple of months I’ve been living like Hemingway. Well, without the writing, so much.
Or the bulls.
No bulls this year. No fiesta in Pamplona.
But I have been in Spain, enjoying the sunshine, and drinking.
I’ve been getting up early, with intentions of getting lots of writing done.
I have a run, or a cycle, while it’s cool, then have a swim after cleaning the pool.
And I’ve spent an hour or two on the laptop, staring at the screen, as I scroll through my social media and read about the horrible things happening, the shitshow that is the former lone superpower, the rising death rates in various countries, and watching videos of the violent racism so many have to deal with and the violent reaction to any request for such racism to stop.
Then I get breakfast for my kids when they surface from their darkened bedroom around ten, and pretty much any chance to get writing done is gone until perhaps mid afternoon when I wake from a siesta and have another swim to get my brain restarted.
Of course, it’s a strange time to live. But we’re alive. And in the end, well, what more can we ask for?
People are worried, though. And I was thinking about this – about panic and procrastination in these times of pandemic.
Sometimes we think that when people panic they start doing things: racing around, becoming very busy.
But they don’t.
Instead it seems that they are paralysed and they do nothing.
However, perhaps their reality is that they see that given the futility of the situation, and their imminent demise, there’s basically no point in doing anything. Instead it’s best to just relax and do nothing.
Because doing nothing is in fact the best thing to do.
Perhaps it’s only when we’re faced with death that we realise that we should’ve been doing nothing all along.
The object of our existence is to do nothing.
Doing is not the important thing, it’s just being.
We should just be.
We should just watch, and chill out.
So while it seems that I have done very little in these days, and there are several books that are waiting to get finished and some to get started, I’ve decided to not worry about that because if I do get sick, I’ll probably just stop writing rather than race to get them finished.
I’ll do what I have been doing – looking after the kids, being with the family, enjoying the scenery and the flowers in the garden and the birds around the house.
At the end of the day, does it matter if the book is one third finished one half finished or three quarters finished if the book is unfinished? Perhaps it’s best to nearly finish at least, but I’m loath to spend my last days worrying about it.
Of course, I am not sick, and I hope I’m not in my last days – keeping the head down here!
So I have written some. And I will have some to show people soon.
And I never stop writing poetry.
So here’s some of that:
Where Would You Go To?
Racing downhill, skidding over gravel path between pine peaks.
Slide to a stop beside scarlet-poppy-strewn field of barley, golden
Eagles calling overhead, staring at gliding silhouettes, shielding eyes
Against glare of sun, hot upon shoulders. A lone figure, surrounded
By a chorus of chirps, whistles and warbles, sheet of susurration
Wind through poplar leaves under a blanket of blessed silence,
Among a bouquet of orchids and other wild flowers, wondering
Where would one go from here?
Eventually remounting, rolling onwards over eroded pudding-stone
Thinking this is the destination of a multitude, but home to me.
Many would trek to get here: the very idea posited as post-retirement
Plan, proposed to stretch the Mediterranean holiday eternally past
A year in Provence; sold to dozens of millions dreaming of this,
Present position I’ve stumbled upon for life. So,
Why would I want to do any more than simply be, here?
Everything I can add upon this blessing only gravy, icing.
What matter if my works are acclaimed or even hailed?
When their very creation brings my own elation, and this station
Provides all the time, and space to do so at my pondering pace.
It’s only left to me to accept this grace, riding though this pretty place.
So August wasn’t so treacherous this year. I got the final edits and cover art for my second novel, Five Days on Ballyboy Beach ready for its release on the 19th, I did some more rewriting of a novella and had it accepted for publication in the new year with Tirgearr Publishing, and I wrote a short story based on my safari in South Africa last year, called At Last Light on the Sage Flats, which will be the title story to a collection of short stories I’m putting together for the end of this year. Oh, I finished that first draft of The Ecology of Lonesomeness, too.
I also started the sequel to Leaving the Pack – not quite sure of the title yet, but the working title is Leading the Pack.
And I am three-quarters way through reading The Count of Monte Cristo, which I have had on my shelf for about twelve years! I didn’t get around to season five of Breaking Bad yet, though – but the autumn is coming (feels like it even here, too – we didn’t have what you’d call a Spanish summer this year), so I’ll get to that, when I have a second draft done of Lonesomeness….
Meanwhile, here is one of the few poems I had a chance to finish, about doing very little….
Getting Old, Slowly
Along the ridge a row of windmills go slowly round.
You can hear them when the wind turns south.
Twenty-five years they’ve ringed the valley
And show no sign they’re soon to fall.
Similarly, we inhabitants stand around,
Eating from our gardens here, seasonally
Watching flight of swallows and their fellows,
Observing numbers (often) ebb and (seldom) flow,
Grass get cut instead of grazed and oak trees grow tall,
New abodes are built and others crumble to the ground,
Sitting upon a porch of an evening, the sky yet
As wonderful as youth, and starry as can still get,
Achieving only that act of getting old slowly.