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The Many Versions of the Werewolf Tale
I was in the Basque speaking area of Navarra last weekend, up in the hills.
Very green.
We went to visit a museum made by a very interesting guy called Iñaki Perurena, whose famous in the region for having Guinness World Records for lifting stones, among other things.
He has some amazing sculptures and lots of interesting paintings of characters from Basque Mythology on huge rocks dotted through the woods.
The Basques have a lot of strange characters that live in the woods. A much richer diversity than the simple fairy and leprechauns of Ireland, to be honest.
They have a type of Faun, mermaids, goblins, their own Santa Claus character, a cyclops, giants…
And…. another creature who you might bump into while walking the woods in such remote areas where houses are separated by large tracts of land, and visiting your neighbour involves a trek up a mountain.
Gizotso, is werewolf in Basque, and is said to be an extremely strong savage beast that lives in the woods and is made by sexual intercourse between humans and wild animals.
I’ve a long-held interest in werewolves, of course, and my kids speak Basque in school, but I’d not heard of this particular thread of the great tapestry of werewolf tales.
It’s fascinating how many different versions there are of this story. One of the things that unite all human societies are the similarities in our fireside tales of others who live just outside the light spread by our hearths. And the werewolf is perhaps the most ubiquitous of all, more than even the dragon.
At the same time, it’s disturbing how easily every society can alienate others and reduce them to the status of “savage animals.”
Perhaps it not so difficult to see how such stories of werewolves can spring forth in our imagination from simple ingredients such as deep woods, woodland dwellers, people we don’t like, and people we desire.
Of course, nowadays, nobody believes in werewolves.