How is everyone managing after the change to “summer time?” I’m suffering from the early mornings myself, since it happened in Europe last weekend. Of course, I’m not against daylight savings time, as long as if and when it’s stopped we stick with the correct time we should have according to our longitude.
In fact, I’d go further, as I wrote in my poem on the subject, which I posted a few years back,
In the poem I hypothesise about a future where businessmen don’t have to wear suits in summer to cut down on air conditioning use – much worse than a few extra light bulbs if we didn’t have daylight savings time.
And that brings me to an article I read the other day about the end of the man’s suit.
Coincidentally, I wrote a blogpost a few years back about the man’s suit, how it’s not going to disappear anytime soon, given that it hasn’t changed in centuries.
But perhaps I was wrong.
The article says that “Goldman Sachs became the latest of many firms to issue new guidelines on work dress codes, allowing more flexibility – male employees can ditch the suit for chinos and loosen their ties.”
A welcome change.
Of course, I’d be happier if what replaces it is not some new fashion, but the same jeans most of the humans in the western world have been wearing for a century when they weren’t wearing suits.
I have a basic distaste for fashion, in its continually changing design and colour of clothes which many people conform to necessitating updating their wardrobe and consequently disposing of clothes that are perfectly serviceable and wasting resources and money on new clothes that will see the same fate.
I hate buying new clothes. I hate shopping, better said. I like buying new stuff, but I also love getting the most out of what I have. I patch, I darn (well, I do something akin to closing a hole in a sock) and I glue.
I’ve a current problem with jeans seemingly been made to wear out within six months. It’s like Calvin Klein has been taking a leaf out of Apple’s book and embedding ? programmed obsolescence in cloth. I have not bought a pair of jeans that haven’t ripped in the arse in five years. I never remember that problem before, and I’ve been riding bikes my whole life.
Do clothes designers really need my money so much that they make me buy what I’d disinclined to buy because I am immune to their adverts?
Thus is our world destroyed.
I am also reminded of the lines from that fashion movie, The Devil Wears Prada, where Miranda goes on a tirade about the blue jumper her minion is wearing, how it’s been made because she decided blue was in last season blah blah.
What the movies doesn’t go on to say is that the intern would not go and buy a new cheap jumper in TJ Max the next winter. She’d wear the same cheap jumper and she’d keep wearing it till it got so old that it had to be replaced by whatever the prima donnas of the fashion world had deemed was in three seasons before. And that would take a long time. I have jumpers I still wear that I am wearing in photos taken fifteen years ago, nearly twenty in some cases. I don’t say that because I am proud of wearing worn out old shit that makes me look like a vagabond, but because they still look the same as when I bought them, and if I looked okay in them then, then there’s no reason to think I don’t look good in them now if they’re still in good repair. Clothes either look good on you or they don’t. If they are only going to look good on you for a season, then perhaps we shouldn’t buy them. That’s why the suit has taken so long to disappear – it simply looks good all the time. Jeans look good all the time, tee-shirts and jumpers too. That’s why Doc Martens are back in. Everyone has a pair they never threw out. Some kept wearing them. Of course, an industry would die a little if we were all to stop treating clothes like plastic water bottles. But what does this industry do that’s so good? What does it do that’s quite terrible? The list for the latter question is longer.
Growing cotton is a destructive activity, for the soil, for the insects, for the atmosphere. We all want to reduce waste, to lower our carbon emissions. Eating less meat, using public transport, flying less. And buying fewer clothes.
Feel proud to walk out of a store without a shopping bag.
It’s a feeling you’ll grow to love.
Deadlines have been on my mind as my release date approaches for Leaving the Pack.
Most of them are dates made in my own mind, but it’s hard to keep writing inside when there’s so much going on elsewhere.
What is a deadline? And how can one stand
Against the rush of a riffling stream past
Skinny legs of a standing heron over rounded stones,
Against the draw of deep water held behind a weir,
Against the rippling wind whipping through ripening barley,
And expanse of blue sky extending above a verdant plain,
Against the weight of sunlight upon a shoulder,
The swell of one’s chest at the sight of a field full
Of poppies and vetch, fetching delight at feeling,
Beating steady bass against the body, against the
Somniferous drone of bees through the blooms,
For whom the afternoon includes no siesta, or
Press of dancers in a crowded room, screaming
Swirling of swallows, flinging slight bodies against
Flies upon the wing, and insistent singing thrush
Trilling an announcement at all this end of daylight,
Making last flight and call to unseen nest?
How can anything resist the soft accumulation of
Seed cotton drifting down from dangling catkins?
The only dead line is that which marks the death of days,
Staying under sunlight as long as last its rays
Our only object, for the sun will set soon enough,
And the darkness will wash over all that was lit before it.