Blog Archives

My first Self-Published Book!

So I haven’t been all that unproductive, really. It’s taken many months to write – actually more than a year, which is pretty sad for a novella! – but I have completed a dystopian novella set in our future – sixty years down the line.

It’s called The Logical Solution.

It’s something I think is appropriate to our own time – as in all the best dystopias! – so I have decided to self publish it, on Kindle Direct, and have it out there asap for  everyone living through this crisis – the pandemic: let’s take things one step at a time, but there are more crises to worry about later  (and that’s everyone on the planet, bar the bastard politicians and the rich who pull their strings) – can have a look and see how much worse things could get!

Seriously, it’s supposed to be funny, too. Things might not get that bad…

AI cover

 

It’s on pre-order right now, for 99 cents! a steal. and it will come out on September 1st.

You can hit me up for a review copy if you can’t wait that long – but the review needs (please!) to be ready by publishing day so you can post it on Goodreads and Amazon and anywhere else you reckon the readers of the world will see it!

And since the novella talks about computer algorithms and whatnot – a small heads up: if everyone I know buys this book before Sept 1, then it will become an automatic best seller on Amazon. Seriously. It’s that simple to fool the computers. Then it gets on adverts from Amazon and more people see it and buy it. And then you get to say you know a best-selling author, instead of saying that one of your mates writes books, but you’ve never read any of them (yet).

Take a peak at the blurb here:

https://davidjmobrien.wordpress.com/the-logical-solution/

 

 

 

 

 

Procrastination, Panic, and Priorities in the Pandemic

So for the last couple of months I’ve been living like Hemingway. Well, without the writing, so much.

Or the bulls.

No bulls this year. No fiesta in Pamplona.

But I have been in Spain, enjoying the sunshine, and drinking.

I’ve been getting up early, with intentions of getting lots of writing done.

I have a run, or a cycle, while it’s cool, then have a swim after cleaning the pool.

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A road I recently cycled along with some friends – I usually go alone in the hills.

And I’ve spent an hour or two on the laptop, staring at the screen, as I scroll through my social media and read about the horrible things happening, the shitshow that is the former lone superpower, the rising death rates in various countries, and watching videos of the violent racism so many have to deal with and the violent reaction to any request for such racism to stop.

Then I get breakfast for my kids when they surface from their darkened bedroom around ten, and pretty much any chance to get writing done is gone until perhaps mid afternoon when I wake from a siesta and have another swim to get my brain restarted.

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An outing with the kids to an old windmill in the valley. We normally stay in the village, and I don’t normally post photos of the kids – but they’re unidentifiable here.

 

Of course, it’s a strange time to live. But we’re alive. And in the end, well, what more can we ask for?

People are worried, though. And I was thinking about this – about panic and procrastination in these times of pandemic.

Sometimes we think that when people panic they start doing things: racing around, becoming very busy.

But they don’t.

Instead it seems that they are paralysed and they do nothing.

However, perhaps their reality is that they see that given the futility of the situation, and their imminent demise, there’s basically no point in doing anything. Instead it’s best to just relax and do nothing.

Because doing nothing is in fact the best thing to do.

Perhaps it’s only when we’re faced with death that we realise that we should’ve been doing nothing all along.

The object of our existence is to do nothing.

Doing is not the important thing, it’s just being.

We should just be.

We should just watch, and chill out.

So while it seems that I have done very little in these days, and there are several books that are waiting to get finished and some to get started, I’ve decided to not worry about that because if I do get sick, I’ll probably just stop writing rather than race to get them finished.

I’ll do what I have been doing – looking after the kids, being with the family, enjoying the scenery and the flowers in the garden and the birds around the house.

At the end of the day, does it matter if the book is one third finished one half finished or three quarters finished if the book is unfinished? Perhaps it’s best to nearly finish at least, but I’m loath to spend my last days worrying about it.

Of course, I am not sick, and I hope I’m not in my last days – keeping the head down here!

So I have written some. And I will have some to show people soon.

And I never stop writing poetry.

So here’s some of that:

 

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A view of the olive tree centre of the world in Andalucia… peaceful, if pretty poor species-wise…

Where Would You Go To?

 

Racing downhill, skidding over gravel path between pine peaks.

Slide to a stop beside scarlet-poppy-strewn field of barley, golden

Eagles calling overhead, staring at gliding silhouettes, shielding eyes

Against glare of sun, hot upon shoulders. A lone figure, surrounded

By a chorus of chirps, whistles and warbles, sheet of susurration

Wind through poplar leaves under a blanket of blessed silence,

Among a bouquet of orchids and other wild flowers, wondering

Where would one go from here?

 

Eventually remounting, rolling onwards over eroded pudding-stone

Thinking this is the destination of a multitude, but home to me.

 

Many would trek to get here: the very idea posited as post-retirement

Plan, proposed to stretch the Mediterranean holiday eternally past

A year in Provence; sold to dozens of millions dreaming of this,

Present position I’ve stumbled upon for life. So,

 

Why would I want to do any more than simply be, here?

 

Everything I can add upon this blessing only gravy, icing.

What matter if my works are acclaimed or even hailed?

When their very creation brings my own elation, and this station

Provides all the time, and space to do so at my pondering pace.

It’s only left to me to accept this grace, riding though this pretty place.

 

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The view from our local windmills, one of the places I cycle. The hills on the right are where the golden eagles breed.

 

Things you learn from reading books

It’s amazing what you can learn from books.

Sounds silly, that sentence…

I love when I’m deep in a book and something stops me halfway through a paragraph and makes me say “Holy shit!” out loud – I never knew that! Or, “Wow. Who knew?”

And sometimes it’ll send me off to investigate further.

There are some writers, editors etc., and I suppose readers, who don’t like this. They don’t anything that makes you interrupt the story, that keeps your nose in the leaves.

But for me, a really rich book is one that makes you pause every now and then and think about what you’re reading, ponder the meaning of what you’ve read, assimilate the knowledge this piece of writing has given you over and above an entertaining read.

This is why people read fiction. This is why science indicates that people who read fiction are more empathetic.

Here are three examples:

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I started reading Homo Deus, a recent non-fiction book, the sequel to Sapiens, which you might have heard of.

But before I go deep into it, I wanted to read a similarly titled novel – Men Like Gods, by HG Wells.

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An interesting book. We are clearly still in Wells’ Age of Confusion, with our population soaring way, way past what Wells worried was too many (2000m), and our world yet being pillaged by the rich.

But what really amazed me, in a book about a crossing dimensions into new universes (where the telecommunications department knows where every human is at all times but the knowledge can only be used for the good of the individual!) was the fact that the main character commented on the fact that there were thrushes singing in July – that he knew these birds stopped singing by June.

This is a character who writes for a liberal paper in the centre of London.

I’m a zoologist – sorry, I have a doctorate in zoology (there are picky fuckers out there in twitterlandia who like to point out that there’s a difference if I no longer gain employment from zoology except by teaching biology, who I hope die when they’re on a plane and a retired doctor tells them he’s no longer qualified to give them first aid while they suffer cardiac arrest, but I digress) – though not an ornithologist, but I had no idea.

He also commented on the fact that nightingales could be found in Pangbourne and Caversham, both in Reading just outside London were great places for nightingales (I wonder if there are any there now) which was amazing knowledge for an average Joe, too.

Why don’t we all know such things now? Where is our general knowledge of the life of other species around us gone? I was only familiar with the Blackbird and Robin – aside from the magpies and seagulls – back home in my hedgerow.

 

How much we have lost, even from such busy, hedonistic, polluted and poverty-stricken times as 1920’s London.

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Another book I recently read, and commented on in my facebook feed, is Point Counter Point, by the contemporaneous Aldous Huxley, who only predicted the future in this particular novel by talking about the fact that the world would run out of phosphorous, and other important raw materials and minerals due to unhinged addiction to progress, while politicians fucked around with petty, inconsequential nonsense that they hoped with get them elected over someone equally competent – or in competent, as the case usually is – while the problems that really affect us only snowball.

 

The third novel was Meridian, the second novel by Alice Walker, the author of The Colour Purple.

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At the end of the book, Walker describes the main character in the following paragraph:

“On those occasions such was her rage that that she actually felt as if the rich and racist of the world should stand in fear of her, because she – though apparently weak and penniless, a little crazy and without power – was as yet of a resolute and relatively fearless character, which, sufficient in its calm acceptance of its own purpose, could bring the mightiest country to its knees.

And I couldn’t help but think of Greta Thunberg – a beam of light in our own dark times, who seemingly powerless, is nonetheless, so resolute in her purpose that she has an immense effect upon countries.”

It is so often the person who seems weakest who can stand the strongest.

I only hope that in contrast to how people treated people like Meridian in the era of civil rights, that we will appreciate Greta for the positive influence she is on global justice and the survival of our society, and protect her from the evils we know some amongst us would wish her.

 

 

 

Reasons to have kids in your twenties

It’s my son’s birthday today. He’s three. I’m nearly 45. Not necessarily a problem, but my back is not as good as it could be when he’s climbing up on my shoulders…

Yesterday the downstairs neighbour phoned at 7.45am to ask if we could get the child to not run along the hall so loudly.  Not the child’s fault. This nice 1860’s house we live in, though, tends to reverberate like a 13kilo kid is Harrison Bergeron stomping through the rooms.

It reminded me of a poem I wrote a while back, though. I’ve plenty of ex-students who, though fifteen years younger than I, started having their kids at the same age as I. They didn’t get the good sense from their former teacher, but they’re showing their intelligence all the same!

Regardless of your age, I hope you enjoy. Sorry I’ve no photos of actual kids – mine aren’t allowed on the internet.

 

Reasons to have kids in your 20s.

They’ll say you’re stupid; it’s too early,

But don’t listen to their insistence on

Being stable, for kids are earthquakes

Set to undermine any well-laid foundations

So have them while your world is still whirling.

 

Forget that financial comfort buffer,

Which could crack as easily as the flat-screen

You can finally afford. It’s easy to deny

When you don’t have to give. Best let their

Screams of injustice at the sound of no

Echo in an empty house you don’t even own

As you spend decades in a shithole renter

Which becomes somebody else’s problem

Once you leave the safety deposit behind

Along with crayon on the wall and peeled paint.

Better that than they destroy the decent

House you deserve by your forties, and tears

Are indecent in front of a toddler, no matter

How he gouges the hardwood floor, or

Scratches the CDs you kept all those years

Nor tears the copy of the Hobbit you took

To three continents before “settling down.”

Children’s laughter sounds sweeter living

In a house where there’s nothing much to break.

 

The sleep you’ll never get with young kids

You don’t even need yet.

You’re awake all night now, so why not

Stick a bottle in a baby’s mouth while

Watching midnight marathons of Netflix films?

 

In your forties, eight hours is no longer a luxury;

It’s a necessity. But they’ll be out at pyjama parties,

If you’re smart, in other people’s houses.

 

One thing you learn when you become a parent, is

You’re never ready, nor ever could be

No matter how long you wait

So have them early and

When everything steadies, you’ll be ready for

Relaxation while you’re still young enough

To be worth going on holiday with.

 

After all, all the energy you yet have

Once they’re grown up and gone,

They’ll have use of just as much as you;

When the grandkids come calling

And they’re crawling and climbing, finding

Fragile items for pawing, and falling.

 

 

Interview with JD Martins about his book, One Night in Pamplona.

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DOB Today just before the festivals, I have the great pleasure of having a few minutes to chat to J.D. Martins about One Night in Pamplona.
Hi JD. Great to have you back to talk about your new book. Thanks for taking the time. I know you are busy getting ready for the festivals, so I’ll try keep this short.

JD Thanks. Good to be back. Yes, we are all excited about San Fermines starting in just a few hours.

DOB So, this book is another erotic romance in the City Nights Series? Why Pamplona?

JD Yes, like the other city nights books, including One Night in Madrid, my first novella, it is an erotic romance set in one city and has to tell a story over the course of just one day in less than twenty-five thousand words. I know some readers of One Night in Madrid were a little disappointed that the story did not continue, but that was due to the constraints of the series. Perhaps one day I will continue Danny and Aishling’s story… But to get back to your question, One Night in Pamplona is a more traditional romance of boy meets girl and they hit it off straight away. I chose Pamplona because I know the city well having lived there a while, and because it’s a really amazing place, especially during the festivals. It’s the perfect place for two strangers to be thrown together and have a great time together, sharing amazing experiences to lay down a foundation for their a common story.

DOB So the story takes place during the festivals?

JD Yes, from ten in the morning on the 6th, to ten the following morning.

DOB That’s an intense twenty-four hours! I’ve experienced them myself and you can fit a lot of life into that day.

JD Indeed! The city goes twenty-four hours a day during the festivals, so there’s no need to stop partying if you have the stamina.

DOB I’m guessing your characters do?

JD Ha! Yes, they’re both young and energetic.

DOB Tell us about them.

JD Well, Jeff is from Boston, where he works in a law firm. He’s on a tour around Spain and has of course read his Hemingway and knows he needs to stop in Pamplona to run with the bulls. He’s on the look out for a lady friend to spend the day with, and he meets Idoia, a local girl who’s up for some fun with this tourist. Unfortunately, Jeff only has one night there, which is a disappointment to Idoia. What really upsets, her, though, is that he wants to run with the bulls, something she thinks is reckless and idiotic.

DOB I see. We’ve both run with the bulls, though, JD, so I can’t fault the man.

JD That’s true, but, as Idoia says, not the first night without any sleep or idea of what to expect. We spent a few mornings watching the Encierro, and we knew what it was about. And I for one, had a good night sleep before hand, and was stone cold sober.

DOB Me, too. Sounds like a strong-minded young lady, Idoia.

JD She is. One of the important themes I wanted to have in the book, without being obvious about it and ruining the fantasy of it, is something that has been given a lot of attention last year and this year in San Fermines – sexual harassment by drunken men who think they’re having a bit of fun when really, they’re overstepping the mark by a long shot. Idoia’s is always in control of the situation. She knows what she wants from him and asks him for it. He is very willing to give her it, of course, and readily follows her lead, only going as far as she is comfortable with.

DOB Sounds like a strong character readers will identify with.

JD Hopefully so.

DOB Apart from a bit of nookie, what else do the characters get up to during their night?

JD As you know, there’s a hell of a lot to see and do in San Fermines besides drinking and running with the bulls. They see a few sights, watch the giants in procession, see the Peñas – the marching bands for readers who don’t know them – and of course watch the fireworks in the Citadel.

DOB A complete day! So, does Jeff run with the bulls in the end?

JD I’m afraid I can’t say. He has to weight up the ambitions and desires of a day and a lifetime, let’s put it that way.

DOB I think that is a good way to put it. I’ve read the story myself and I just wanted to see how you’d answer. Any more novellas in the pipeline?

JD Perhaps after the festivals I’ll start working on a One Night in Boston. I will be set in the snowy cold, though, to make a change from the sultry nights of Madrid and Pamplona.

DOB Well, what better excuse than the cold to make a couple cuddle close? Before you go, let us know where we can get our hands in One Night in Pamplona.

JD Yes. The novella is out on July 29th, and it is on pre-order now at the reduced price of just 99cents on Amazon, http://www.amazon.com/gp/product/B00ZMO4226
if you order it before publication. You can also get it from various vendors via the Tirgearr Publishing website. http://www.tirgearrpublishing.com/authors/Martins_JD/one-night-in-pamplona.htm
You can find me on facebook at https://www.facebook.com/JDMartinsauthor

DOB Sounds like a great deal. Well, JD I’ll let you go and put on your white and red clothes and have your almuerzo before the rocket goes off. Feliz Fiestas, as they say.

JD Cheers for having the chat and have a good festival yourself, David. And careful with those bulls!

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So I have a new book out…

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Your friends don’t give a toss about your new book.

That’s one of the first things authors have to learn when they first publish, along with not to read reviews, not to take bad reviews to heart when they don’t follow that previous rule, and certainly not to comment on bad reviews even though they want to gouge out the eyes of the reviewer.

Your friends are not your friends because you are writer, even if you’re a good one, or a published writer. They were there before you told them you wrote. They were there when you were clicking away at the keyboard in your spare time at work, when you told them you were holding out for the box set of season three of The Wire because you were really writing instead of watching television. And they gave you a pass, held off on the spoilers in your company, though they’d to bite their tongues to do it.

When you put away the notepad you’d been scribbling on in the coffee shop before they came in, they didn’t twist your arm and demand to see your poems, or short stories or whatever. And you were glad.
Now that you’re published, you can’t go and demand everyone read your shit, or get pissed off that nobody seems to give a toss that you have this amazing new novel out now (Spoiler alert: I have a great new novel out today, but I can’t give any more info because it would be spoiling). You can’t now do the equivalent of shove that notebook in their face at the coffee shop and tell them to check out what you just wrote before they sit and get a cup of coffee. The truth is they don’t give a shit.

Yet, if they did, would you be happy? I suspect, because I have no firsthand knowledge of such situations, that it would be similar if a Hollywood movie actor’s friends were all waiting for his or her new flick to come out, or asking them to give a few lines of whatever movie they were rehearsing at the time was. And you’d think they were just there because you were what you were, not who you were.

That’s what I tell myself anyway. It helps when friends don’t give feedback, when they don’t crack the book you asked them to beta-read, when they give you no, “hey, thanks,” or anything of the sort in response to the dedication you put in the book you sent them a copy of when it came out, because, basically, they didn’t even fucking look at the acknowledgments.

There will be plenty of people out there who delight in the fact that you’ve a new book out. They’re not necessarily your friends. They’re called readers. If you are lucky, there will be overlap. But there doesn’t need to be. There just needs to be people in both camps. Lots of people in one, and however-many you’re comfortable with in the other.

When your friends don’t respond to thinks like wedding invitations and photos of your children, you can worry. You might see your book as a newborn baby, but to some you’re basically asking them to get all teary-eyed over a work project you finished. They didn’t read your research thesis, nor the amazing 100-page contract you wrote for the sale of three thousand solar panels to a Chilean copper mine consortium, nor did they do much more than glance at the wing mirror you designed for the new Chevy Volt (is that car even being made?). It’s all work to someone, though it’s art to others.

(for the record, fiction writing is totally fucking art, though my doctoral thesis is also stimulating reading…)

There’s always another step to take…

 

 

I recently wrote an article about sticking with writing over years of unsuccessfully trying to get published, and how, twenty years after writing my first novel, I got it published and had it followed up by the second, and now I have contracts for five books, including one published under a pseudonym.

It’s hard to maintain confidence in your ability: I often thought I’d never sell a book, but along the way there were confidence boosts now and then when a poem was published, and a few quid here and there, even, for a poem or an article. When I finally got a contract, after all the effort, it was gratifying and affirming of my small amount of talent, and I felt vindicated in keeping at it.

I’d made that giant leap into Authorship.

earth-from-moon

But getting a book on the market – professionally edited and with a great cover that I was able to have some input in the design of  – was just one more step forward, it turned out. I thought it was a giant leap because of my previous perspective – or lack of it.

It’s like an animation video describing the scale of the universe. You make it to the moon and before you have time to appreciate the view, the camera pans back to show just how far away Mars is, and then Jupiter, and how small our solar system is.

The journey has only really begun. It’s just you’ve learned to walk and been given a decent pair of boots, is all.

The pressure is not off now; it just got more intense.

Apart from building a platform, blogging and posting and advertising, there’s the requests for reviews and the feeling you have to get big sales, to justify the confidence in your work – and to a certain extent you do. Instead of feeling you’re no good if you can’t get an editor interested, now there’s the feeling that you’re not good enough if you don’t see lots of sales. Friends ask if you’re making millions yet – often despite not having read it themselves: and who ever sold a million copies of a book that wasn’t good enough for friends to bother with?

The reviews are another source of stress. You want everyone to love the book of course, but it becomes a bit over the top: what once might have been worthy only of a place in a desk drawer or the farthest reaches of a hard drive, suddenly needs to deserve only five star reviews.

God forbid someone should give it less than three!

But they do – they did mine already.

You can’t please everyone, and even fans of the genre might be your biggest stumbling block – especially if you did something with they didn’t expect, that quirk, that novelty, which pleases 9/10 readers, just doesn’t float the last one’s boat. They might even feel hard done by when the book doesn’t match their expectations – however misconceived they might be.

But the long term is what we have to look to again – just as before publication. Over the long haul, more will like it than not, and hopefully they’ll tell their friends. There will be reviewers who say they’re delighted to read a new slant, who believe your characters are great.

Nevertheless, in my short and scant experience, these great readers and reviews don’t do as much to put things in perspective as the old friends or colleagues who congratulate you and say they’re jealous of you. When you humbly tell them that you’re not making those millions, they shake their head and insist that they’re not jealous of you publishing, but of the fact that you actually wrote a novel: that you finished your shit, and polished it well enough that anyone would read it.

And that’s one of the things we need to keep in mind as we go to the next project, and keep blogging and advertising, and seeking more reviews. It’s a struggle uphill (hope Bjork doesn’t have that phrase copyrighted), but the fact we’re plodding ahead is something we need to be proud of.

Book Reader Magazine Featured Interview

my recent interview with Book Reader Magazine.

Tirgearr Publishing

Tirgearr Publishing

Anniversary Sale!
Tirgearr, the company that is publishing Leaving the Pack, my first novel, is having a sale. While you can’t buy MY novel there yet, there are lots of other great authors.